More than that, his long-awaited final year in law school promises to deliver a crucial puzzle piece of the Great Plan immigrant: a degree from a prestigious university.īut a year is more than the sum of its parts, and en route to the future, the present must be lived through and even the past must be survived in this “hilarious and heartbreaking” (Adam Smyer, author of Knucklehead) intersection of pre- and post-1994 Rwanda, colonial and post-independence Windhoek, Paris and Brussels in the 70s, Nairobi public schools, and the racially charged streets of Cape Town. Soon he will leave the confines of his family life for the cosmopolitan city of Cape Town, where loyal friends, hormone-saturated parties, adventurous conquests, and race controversies await. One might as well start with Séraphin: playlist-maker, nerd-jock hybrid, self-appointed merchant of cool, Rwandan, stifled and living in Namibia. The most one can do is make some sort of start and then work toward some kind of ending. Nobody ever makes it to the start of a story, not even the people in it. “Meet the future of African literature” ( Mukoma Wa Ngugi, author of Nairobi Heat) with this “gorgeous, wildly funny, and, above all, profoundly moving and humane” (Peter Orner, author of Am I Alone Here) coming-of-age tale following a young man who is forced to flee his homeland of Rwanda and make sense of his reality.
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